Do yourself a favor and check out this awesome compilation of Drunken Martina’s best tweets via Country California:
Sound Bite: Lousy with influence
“I have so much influence; I am lousy with influence. I am what you call a connector. Bruno Mars is not here, but if he was, he would meet Aziz Ansari tonight, because I would introduce them. Chris Colfer, have you ever met Martha Stewart? Because I can I make that happen. Jonathan Franzen and Patti Smith are sitting at the same table. I know that because I’m on the list. If you shook my hand tonight, you might not want to drive home because you may be pulled over for a DUI.”
Sound Bite: Music is a blob of mercury
“Some things you can break down, and some things are ineffable. Some things are just part of that mystery where all creative energy comes from. It’s part of the soul. Music is an ever-moving blob of mercury.”
-Rosanne Cash offering an alternate opinion in this interesting New York Times article that examines the science behind our emotional reaction to music.
Marcus Hummon and Jeff Hanna, "Bless the Broken Road"
There’s something special about hearing songwriters perform their own songs – vocal imperfections and all:
What I wouldn’t give to meet these guys and tell them they wrote my favorite song (back in 1994). I’ll take it in any form, by any artist – though the conviction of this stripped-down version kills me.
Sound Bite: Criticism isn't evil
“Criticism, when it’s offered by people who know what they’re doing, isn’t evil. It’s a force that enriches, an aesthetic helping hand, a declaration of reality that helps the best artists prevail.”
-Entertainment Weekly writer Owen Gleiberman in this fantastic post on why the “Idol” judges are to blame for Pia Toscano’s premature elimination. His argument for the value of criticism is spot-on. (Are you reading this, Taylor Swift?)
Spring catch-up: Treasures and thoughts
The past few weeks months have been a blur of business trips, long hours at work and rewarding challenges. Let’s play a quick game of catch-up:
Josh Kelley, “A Real Good Try”
I adore this song off of Josh Kelley’s surprisingly decent debut country album, Georgia Clay. Country music with a dash of soul tends to hit my sweet spot, especially when it’s executed as well as it is here. Ashley Monroe’s delicate background vocals are the icing on the cake.
Adele, "One and Only"
The song’s lyrics are simple and its sentiment isn’t groundbreaking – but its vocal nuances and gorgeous throwback arrangement make it an instant favorite for me. I love how the fierce tenacity of Adele’s performance contrasts sweetly with the song’s soothing vibe. Her album, 21, is a must-buy.
Preview of “ACM Presents Girls’ Night Out: Superstar Women of Country”
“Such a sistership. Women bond in a way that’s very sacred. I look at Loretta up there, who’s the reason I’m in country music. We stand on her shoulders. And looking at Carrie and Miranda and Jennifer and thinking this is the next generation, and I’m just in a surreal place that’s between worlds.”
-Wynonna Judd at the taping of the ACM special, a tribute of sorts to women in country music, which airs April 22 on CBS. As a country music writer, I do a lot of griping about the current state of the industry, but this quote reminds me that there are a handful of very –very– talented women in country music right now that have the power to carry the genre through its next generation. That’s a special thing, especially given the genre’s (unfair) male bias.
Kids’ reaction to Rebecca Black’s “Friday”
Is it bad that this makes me happy? Check out the incredulous look on 8-year-old Marlhy’s face at the 0:43 mark.
Irony
…I mean, really, how shocked can you be at Pia Toscano’s early exit, guys? (I refuse to address Steven Tyler, who might as well sleep through the live shows.) You’ve been consistently praising every contestant without giving any sort of assessment of the state of the competition – remember that, the competition?- other than “it’s anyone’s game.” Look, it’s great that you’re able to find something you love about every contestant, and it’s heartening that your critiques are sincere and passionate. But we need a definitive voice. We need you to take a stand. We need you to inject a little cut-throat into this race if you expect the great to float to the top.
Kelly Clarkson, "Why Don't You Try"
More, please:
Jamey Johnson, "For The Good Times"
I’ve said it before and I’ll say it again: my favorite songs are those that blur the lines between genres. Swirl my favorite genres together, and you get this lovely cover:
CultureMap: "American Idol" blogging
For the past two months, I’ve been blogging the highs, lows and in-betweens of the pivotal tenth season of “American Idol” for CultureMap, a new Houston digital magazine. It’s been a treat (and surprisingly challenging) to write about the show that’s captured my attention, energy and –yes– emotion for so many years.
Now that the finals have kicked off, I’m especially excited to continue my “Idol” coverage. You can read my weekly recaps here, and check out my run-down of the Top 13 contestants here:
Perfect pick-me-up: "You Make My Dreams Come True"
Between work, writing and a slew of trips (like a super fun one this past weekend to Gruene, Texas, home of the oldest dance hall in the state), life’s been a little crazy. Good thing I can always count on this ridiculous scene (and song) for a pick-me-up:
